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Fantasimus Directory 01
Page 01
The Censors possessed a general control over the conduct and morals of the citizens. In the exercise of this important power they were not guided by any rules of law, but simply by their own sense of duty. They punished acts of private as well as public immorality, and visited with their censure not only offenses against the laws, but every thing opposed to the old Roman character and habits, such as living in celibacy, extravagance, luxury, etc. They had the power of degrading every citizen to a lower rank, of expelling Senators from the Senate, of depriving the Equites of their horses, and of removing ordinary citizens from their tribes, and thus excluding them from all political rights.
The fifth chapel represents the birth of the Virgin. Having obtained permission to go inside it, I found the date 1715 cut large and deep on the back of one figure before baking, and I imagine that this date covers the whole. There is a Queen Anne feeling throughout the composition, and if we were told that the sculptor and Francis Bird, sculptor of the statue in front of St. Paul's Cathedral, had studied under the same master, we could very well believe it. The apartment in which the Virgin was born is spacious, and in striking contrast to the one in which she herself gave birth to the Redeemer. St. Anne occupies the centre of the composition, in an enormous bed; on her right there is a lady of the George Cruikshank style of beauty, and on the left an older person. Both are gesticulating and impressing upon St. Anne the enormous obligation she has just conferred upon mankind; they seem also to be imploring her not to overtax her strength, but, strange to say, they are giving her neither flowers nor anything to eat and drink. I know no other birth of the Virgin in which St. Anne wants so little keeping up.
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