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Fantasimus Directory 03
Page 07
Between Bulgaria on one hand and Rumania, Greece, Servia, and Montenegro on the other, the diplomatic relations have been re-established, but gone is the old friendship, for reasons already explained. Greece, Servia, and Montenegro are the best of friends, and, according to unofficial and confidential reports, a defensive and offensive alliance for the maintenance of the Balkan status quo, exists between the three countries. Between Rumania and Greece friendly relations exist, and for some time it was said that a marriage was to be arranged between the Greek Crown Prince, George, and the Princess Elizabeth, daughter of the Rumanian King, Ferdinand I., who succeeded to the throne after the death of his uncle, King Charles. This match, however, seems to have been abandoned, perhaps for political reasons, and more so because Greco-Rumanian relations have not as yet reached that firmness which only might justify such a rapprochement of the two royal families.
In landscape the English have had something to say peculiarly their own. It has not always been well said, the coloring is often hot, the brush-work brittle, the attention to detail inconsistent with the large view of nature, yet such as it is it shows the English point of view and is valuable on that account. Richard Wilson (1713-1782) was the first landscapist of importance, though he was not so English in view as some others to follow. In fact, Wilson was nurtured on Claude Lorrain and Joseph Vernet and instead of painting the realistic English landscape he painted the pseudo-Italian landscape. He began working in portraiture under the tutorship of Wright, and achieved some success in this department; but in 1749 he went to Italy and devoted himself wholly to landscapes. These were of the classic type and somewhat conventional. The composition was usually a dark foreground with trees or buildings to right and left, an opening in the middle distance leading into the background, and a broad expanse of sunset sky. In the foreground he usually introduced a few figures for romantic or classic association. Considerable elevation of theme and spirit marks most of his pictures. There was good workmanship about the skies and the light, and an attentive study of nature was shown throughout. His canvases did not meet with much success at the time they were painted. In more modern days Wilson has been ranked as the true founder of landscape in England, and one of the most sincere of English painters.
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