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Fantasimus Directory 04
Page 04
I heard at that place an extraordinary account of how a dirigible balloon, with nobody on board, had some few years before passed over the house. The balloon--which my informant, in his ignorant language, called a "huge square globe"--flew, according to him, a flag, the stars and stripes, and had an anchor dangling down. The balloon was travelling in a westerly direction. It flew a little higher than the trees, and caused a great scare among the natives. My informant told me that there was no one in the car at all, but they waved their hands at him (_sic_) when they passed over his house! He then told me that the air-ship had passed in the daytime and had quickly disappeared, but that it was beautifully lighted with coloured lights at night. So that it would be difficult from that truthful account to place much reliance on what the man said or on what he had seen at all. It is quite possible--after discarding all the indisputable embroidery from the story--that a balloon actually went over that place, and it may probably have been Wellman's abandoned balloon with which he had tried to go across the Atlantic.
The eighth chapel is that of the Sposalizio, is certainly not by Aureggio, and I should say was mainly by the same sculptor who did the Presentation in the Temple. On going inside I found the figures had come from more than one source; some of them are constructed so absolutely on Valsesian principles, as regards technique, that it may be assumed they came from Varallo. Each of these last figures is in three pieces, that are baked separately and cemented together afterwards, hence they are more easily transported; no more clay is used than is absolutely necessary; and the off-side of the figure is neglected; they will be found chiefly, if not entirely, at the top of the steps. The other figures are more solidly built, and do not remind me in their business features of anything in the Valsesia. There was a sculptor, Francesco Sala, of Locarno (doubtless the village a short distance below Varallo, and not the Locarno on the Lago Maggiore), who made designs for some of the Oropa chapels, and some of whose letters are still preserved, but whether the Valsesian figures in this present work are by him or not I cannot say.
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