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Fantasimus Directory 07
Page 02
Another of these emblems of joyous festivity which is frequently seen, is a vine, with its branches and purple clusters spreading in every direction, reminding us that in Eastern countries the vintage is the great holiday of the year. In the Jewish Church there was no festival so joyous as the Feast of Tabernacles, when they gathered the fruit of the vineyard, and in some of the earlier celebrations of the Nativity these festivities were closely copied. And as all down the ages pagan elements have mingled in the festivities of Christmas, so in the Catacombs they are not absent. There is Orpheus playing on his harp to the beasts; Bacchus as the god of the vintage; Psyche, the butterfly of the soul; the Jordan as the god of the rivers. The classical and the Christian, the Hebrew and the Hellenic elements had not yet parted; and the unearthing of these pictures after the lapse of centuries affords another interesting clue to the origin of some of the customs of Christmastide.
Dr. B. Dernburg says that the one-sidedness of the Belgian inclination is indicated by the placing of all Belgian fortresses on the eastern frontier. The distinguished statesman (apparently confused by the ardor of discussion) has already in another article, published in The Independent of Dec. 7, 1914, placed Antwerp at the mouth of the Rhine; today he places Namur on the German frontier, whereas that fortress is situated near the frontier of France. There are three fortresses in Belgium--Antwerp, Liege, and Namur. Antwerp is in the north, Liege in the east, and Namur in the south. Namur, being near the French frontier, could menace Germany only in case the Germans should have penetrated about one-third of Belgium. It is, in fact, a fortress against France.
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