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Fantasimus Directory 07
Page 07
Wiertz (1806-1865), whose collection of works is to be seen in Brussels, was a partial exposition of romanticism mixed with a what-not of eccentricity entirely his own. Later on came a comparatively new man, Louis Gallait (1810-?), who held in Brussels substantially the same position that Delaroche did in Paris. His art was eclectic and never strong, though he had many pupils at Brussels, and started there a rivalry to Wappers at Antwerp. Leys (1815-1869) holds a rather unique position in Belgian art by reason of his affectation. He at first followed Pieter de Hooghe and other early painters. Then, after a study of the old German painters like Cranach, he developed an archaic style, producing a Gothic quaintness of line and composition, mingled with old Flemish coloring. The result was something popular, but not original or far-reaching, though technically well done. His chief pupil was Alma Tadema (1836-), alive to-day in London, and belonging to no school in particular. He is a technician of ability, mannered in composition and subject, and somewhat perfunctory in execution. His work is very popular with those who enjoy minute detail and smooth texture-painting.
Timber at Jamestown was plentiful, so many houses, especially in the early years, were of frame construction. During the first decade or two, house construction reflected a primitive use found ready at hand, such as saplings for a sort of framing, and use of branches, leafage, bark, and animal skins. During these early years--when the settlers were having such a difficult time staying alive--mud walls, wattle and daub, and coarse marshgrass thatch were used. Out of these years of improvising, construction with squared posts, and later with quarterings (studs), came into practice. There was probably little thought of plastering walls during the first two decades, and when plastering was adopted, clay, or clay mixed with oyster-shell lime, was first used. The early floors were of clay, and such floors continued to be used in the humbler dwellings throughout the 1600's. It can be assumed that most of the dwellings, or shelters, of the Jamestown settlers, certainly until about 1630, had a rough and primitive appearance.
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