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At present Albania is under six different regimes. Scutari and its neighborhood is governed by a local commission composed of Moslems and Christians. Avlona is also administered by a commission. The Mirdites form a separate State under Prenk Bib Doda. The Malissors remain isolated under their patriarchal institutions. The southern districts have been appropriated by the Greek invaders. Durazzo and the central regions obey Essad Pasha, who enjoys the title of Prime Minister and is recognized by the International Commission. That shadowy body, now reduced to four members, personates the ghost of the European concert. Except in the south the country is remarkably tranquil under its indigenous institutions.

It is, of course, quite true that no writer is bound by traditions of art, and there is no one who need consider how the thing has been done before, or follow a prescribed code. But for all that, art is not a thing of rules made and enforced by critics. All that critics can do is to determine what the laws of art are; because art has laws underlying it which are as certain as the laws of gravity, even if they are not known. The more permanent art is, the more it conforms to these laws; because the fact is that there is a vital impulse in the human mind towards the expression of beauty, and a vital discrimination too as to the form and method of that expression. Architecture, for instance, and music, are alike based upon instinctive preferences in human beings, the one for geometrical form, the other for the combination of vibrations. It is a law of music, for instance, that the human being prefers an octave in absolute unison, and not an octave of which one note is a semitone flat. That is not a rule invented by critics; it is a law of human perception and preference. Similarly there is undoubtedly a law which determines human preferences in poetry, though a far more complicated law, and not yet analysed. The new poet is not a man who breaks the law, but one who discovers a real extension of it.


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